The first of Simon Stålenhag’s ‘narrative art’ books, Tales From the Loop is a fascinating example of storytelling delivered across both prose and visual art, in which evocative images of stunning Swedish landscapes, populated by wildly imaginative sci-fi creatures and machines, are contextualised and expanded upon with episodes of text interspersed throughout. In this alternative history of 1980s and 90s Scandinavia, Stålenhag explores the realities of growing up amongst the fading grandeur of the Loop, a vast particle accelerator constructed in the 50s beneath the Swedish countryside. Despite having been largely decommissioned by the time these stories take place, the presence of this ambitious technological marvel is clearly felt on the landscape and in the lives of the locals.